Are You Afraid of the Dark?

Building depth on unfinished artwork.

One of the things that I often see in students is a lack of depth. Their drawings are rather flat and lacking that 3 Dimensional quality that comes from the push and pull of highlights and shadows. Without those extreme lights and darks all the mid tones wash out and the image becomes rather flat.

I remember being the same way when I was younger and getting the same admonition from my college Art teacher. Making those dark marks feels so permanent, and not making them is basically a lack of confidence and commitment. I was afraid of the dark.  I was afraid it would mess everything up if I went there. Afraid that it would ruin everything.

There are so many parallels that can be drawn between art and life, such as seeing things as they really are instead of how you think they should be. This is an excellent parallel to psychology. Many people are afraid to look deep within, and face their darker qualities or accept that it's there at all. That fear of the dark can create many personality disorders. It's one of the cores of Borderline Personality Disorder as well as a core component of Narcissism, where it's always the other person's fault and the narcissist will go to great lengths to defy and deny reality to convince themselves and others of this. Both will attack someone who may point out the darkness that they are so keen to deny rather than introspect and consider their own faults. The reason they attack is because it feels like an attack on the reality they constructed, much like references to trying to unchain someone from Plato's cave.

In artwork, establishing that darkness is important, but it has to be counterbalanced with light in order to truly be developed and not just a dark muddy mess. One does this with highlights, establishing the lightest lights.  After that, all else falls in the spectrum of mid tones of varying shades of light and dark, and truly gives the image its depth. Even without a wide range of mid tones, like drawing on toned paper with a white and black color pencil, it still has more depth than those afraid of leaving a mark.

One of the things about highlights in art, the whitest white will always be your light source, even if there is something else "white" in the picture, like a shirt. In fact when looked at more closely it is actually a light grey, blue, or yellow as opposed to white. When compared with the rest of the picture's colors it changes the way that it is perceived.

So it is also with the psyche, there's something in everyone that illuminates them and stands out. That is their inner light in contrast to their darkness, that sets the stage and spectrum for all else. It might be the divine within them or simply love, but it shapes and highlights the whole personality of the individual.

One needs to have a good grasp of both, a realistic perception of dark and light to put the rest into perspective. If not, someone afraid of the dark might start interpreting even light grays as black, unable to see the difference, or light grays as white instead of what they really are. This is also a symptom of narcissism which is extreme idealization and devaluation, along with other unrealistic perceptions of seeing someone as all bad or all good, unable to see the reality of a person or situation in its full spectrum.

If there's anything an artist can teach, it's that you can't create something new until you perceive what is really there. Only then can you alter it to improve it. To be able to draw realistically, you must first be able to see realistically. In order to cope with anything in life you have to be able to see it how it really is, instead of assuming. This comes with experience and observation, practice and perception, and self awareness. These are not only necessities in art, but in life.